Smile
“Smile,” a mixed-media installation in “A Critical Beauty,” at Open Space Gallery, Victoria, British Columbia, Canada, 1996
“Smile,” a mixed-media installation in “A Critical Beauty,” at Open Space Gallery, Victoria, British Columbia, Canada, 1996
“Here, There, Everywhere,” a mixed-media installation, group exhibition “Here Not There,” a group exhibition at the Vancouver Art Gallery, Vancouver, British Columbia, Canada, 1995 This installation focuses on our experiences through culture shock caused by facing the hardship of being placed in a completely different culture. This magnifies the concept of where we call home[…]
“Here, There, Everywhere,” charcoal on canvas, from Here, There, Everywhere, 1995
“Here, There, Everywhere,” acrylic on plywood, from Here, There, Everywhere, 1995
“The Basement,” a mixed-media installation, solo-exhibition at Richmond Art Gallery, Richmond, British Columbia, Canada, 1994 Installation Artwork included in the installation
“The Basement,” charcoal on canvas, from The Basement, 1994
“The Basement,” acrylic on canvas, solo-exhibition at Richmond Art Gallery, Richmond, British Columbia, Canada, 1994 Installation Artwork included in the installation
“My Own Words,” acrylic on canvas in “Atropolis ’93,” at Woodwards Building, Vancouver, British Columbia, Canada, 1993, collected by Vancouver Art Gallery
“Heads of State,” acrylic on canvas and plywood, solo exhibition at Diane Ferris Gallery, Vancouver, British Columbia, Canada, 1992 Installation Images included in the installation
“Fantastic,” acrylic on canvas,from Gu Xiong/Yang Shu, 1992
“Heads of State,” acrylic on canvas, from Heads of State, 1992
A performance art with Henry Tsang at Western Front, Vancouver, British Columbia, Canada, 1992. It deals with Gu’s story of migration to Canada at early stage of his cultural shock. It focuses on his experience being placed between two cultures, determining which one he belongs to. To watch the video of this performance please visit[…]
“Crushed Cans,” a mixed-media installation, solo exhibition at the Brenda Wallace Gallery, Vancouver, British Columbia, Canada, 1992-1993 Gu Xiong’s Crushed red Coca Cola Cans embodies the contrast of his Chinese heritage and the cultural transformation he experienced after moving to Canada, with the universally recognizable Cola cans showing both English and Chinese text. This installation[…]
“Crushed Cans,” acrylic on canvas, from Crushed Cans, 1992-93 Gu Xiong’s Crushed red Coca Cola Cans embodies the contrast of his Chinese heritage and the cultural transformation he experienced after moving to Canada, with the universally recognizable Cola cans showing both English and Chinese text. This installation speaks to the individual as part of[…]
“Cafeteria,” silk screen print, from A Journey Exposed, 1991 “McDonald’s,” silk screen print, from A Journey Exposed, 1991
“Crushed Cans,” acrylic on canvas in “Gu’s World,” 1991 “Cafeteria,” acrylic on canvas in “Gu’s World,” 1991