The catalogue of Exhibition of Contemporary Art in Southwest China, Features Gu Xiong’s art work as one of the participating artists on pages 98-99.

Gu Xiong was amongst one of the artists participating in Contemporary East Asian Letter Arts held in Center Calligraphy Hall, Seoul, Korea. Gu Xions’ mixed media installation, Smile, is featured on pages 100-103. You may visit Gu Xiong’s Smile installation held in Victoria, Canada by clicking here.

Gu Xiong took part in this exhibition and his art works are featured in the exhibition’s catalogue. His art works are published on pages 36-41. This catalogue was published to accompany the two-part exhibition ‘Shu: Reinventing Books in Contemporary Chinese Art’, held at China Institute Gallery, New York in 2006 and 2007. The individual artists[…]

Gu Xiong was amongst one of over 66 contemporary artists featured in this exhibition. His art works are featured on pages 216-219. Catalogue of the exhibition ‘comprised of 134 lots from over 66 up and coming Chinese mainland contemporary artists. The works will be on display to the public at the Four Directions of the[…]

Gu Xiong’s poem, I Am Who I Am,  and his photographs from Le Mois De La Photo 2001, were featured in the catalogue of this festival on pages 90-91. Le Mois de la Photo à Montréal (MPM) is a leading international biennial dedicated to the contemporary image. Since its beginnings in 1989, MPM produces a unique[…]

A collection of Gu Xiong’s art works are available on pages 92-95. “In an era of technological innovation and media staturation, the theme of this biennale is extremely significant. When technology is changing our way of thinking and living, such weighty questions concern us: how to strengthen our intellect and expand our vision, how to[…]

Gu Xiong’s installation appears on page 35 of this catalogue. This catalogue of the touring exhibition China Avant-Garde held from 1993 to 1994 in Berlin, Rotterdam, Oxford and Odense. It provides a retrospective of Chinese art and culture in the eighties and early nineties. From the work shown in this exhibition, two broad tendencies which[…]

Gu Xiong’s art work, Enclosure, was featured in this catalogue on page 251. What About China?’ is a multidisciplinary exhibition spanning visual art, architecture, cinema and music, that features the work of over fifty artists living in continental China (dating mostly from 1998).

The catalogue of the 1995 Kwangju Biennale is published in a five volume series. The special exhibition ‘InfoART’ is featured in Volume 3 of the series. Gu Xiong’s installation, Here, There, Everywhere, in this exhibition is featured on pages 168-171. The following is a brief description of this catalogue. “The special exhibition ‘InfoART’ is featured in[…]

This catalogue for the 2nd Biennale de Montréal focuses primarily on the 30 artists selected for the the event’s “visual arts” section. Gu Xiong is amongst the 30 artists featured in this catalogue on page 70-73. The following is a brief description of this catalogue. “This catalogue for the 2nd Biennale de Montréal focuses primarily[…]

This is part of the 2013 Venice Biennale event. The exhibition “Voice Of The Unseen” aims to shed light onto the history of Chinese art from the Post-Avant-Garde of ’80s-’90s to today. The works of 188 artists and groups that have animated the independent, unofficial art movement in China are one display,  more than half[…]

Confronting Anitya was a series of group exhibition focusing on Chinese contemporary artists held in multiple cities around the world. Gu Xiong’s Waterscape installation was featured in the series. The catalogue about this exhibition also includes Gu Xiong’s installation on pages 92-93. The following is a brief description of this exhibition. “Facing Anitya hopes to present the[…]