Gu Xiong’s installation appears on page 35 of this catalogue. This catalogue of the touring exhibition China Avant-Garde held from 1993 to 1994 in Berlin, Rotterdam, Oxford and Odense. It provides a retrospective of Chinese art and culture in the eighties and early nineties. From the work shown in this exhibition, two broad tendencies which[…]
The exhibition, Montañas y ríos sin fin, presents the work of six contemporary artists from Canada and Ecuador: Gu Xiong, Patrick Mahon, Gautam Garoo, Jenny Jaramillo, Esteban Ayala and Ulises Unda. The works on display address the historical, social and environmental effects of mining in the districts of Portovelo and Zaruma, located in the province[…]
A collection of Gu Xiong’s art works are available on pages 92-95. “In an era of technological innovation and media staturation, the theme of this biennale is extremely significant. When technology is changing our way of thinking and living, such weighty questions concern us: how to strengthen our intellect and expand our vision, how to[…]
This is a 24-page catalogue featuring Gu Xiong’s mixed media installation, held at Richmond Art Gallery. To view a collection of photographs taken from this exhibition please click here.
Gu Xiong’s poem, I Am Who I Am, and his photographs from Le Mois De La Photo 2001, were featured in the catalogue of this festival on pages 90-91. Le Mois de la Photo à Montréal (MPM) is a leading international biennial dedicated to the contemporary image. Since its beginnings in 1989, MPM produces a unique[…]
A 63-page catalogue published by Evergreen Cultural Centre, Coquitlam, featuring Gu Xiong’s solo exhibition. To view a collection of photographs taken from this exhibition please click here.
Inspired by the concept of light and its use in art, 20 Chinese artists brought their works together for the exhibition “Beyond Image: Laboratory of Light” at the Hubei Museum of Art in Wuhan, Hubei Province, from mid-December 2015 to early March 2016. Gu Xiong was amongst the 20 Chinese artists taking part in this[…]
Gu Xiong was amongst one of over 66 contemporary artists featured in this exhibition. His art works are featured on pages 216-219. Catalogue of the exhibition ‘comprised of 134 lots from over 66 up and coming Chinese mainland contemporary artists. The works will be on display to the public at the Four Directions of the[…]
A 60-page catalogue published by McMichael Canadian Art Collection, featuring Gu Xiong’s mixed media installation in collaboration with Andrew Hunter. To view a collection of photographs taken from this exhibition please click here.
Confronting Anitya was a series of group exhibition focusing on Chinese contemporary artists held in multiple cities around the world. Gu Xiong’s Waterscape installation was featured in the series. The catalogue about this exhibition also includes Gu Xiong’s installation on pages 92-93. The following is a brief description of this exhibition. “Facing Anitya hopes to present the[…]
Gu Xiong took part in this exhibition and his art works are featured in the exhibition’s catalogue. His art works are published on pages 36-41. This catalogue was published to accompany the two-part exhibition ‘Shu: Reinventing Books in Contemporary Chinese Art’, held at China Institute Gallery, New York in 2006 and 2007. The individual artists[…]
A 15-page catalogue published by the Museum London, London, ON, featuring Gu Xiong and Xu Bing’s collaborative exhibition.
This is part of the 2013 Venice Biennale event. The exhibition “Voice Of The Unseen” aims to shed light onto the history of Chinese art from the Post-Avant-Garde of ’80s-’90s to today. The works of 188 artists and groups that have animated the independent, unofficial art movement in China are one display, more than half[…]
Gu Xiong was amongst one of the artists participating in Contemporary East Asian Letter Arts held in Center Calligraphy Hall, Seoul, Korea. Gu Xions’ mixed media installation, Smile, is featured on pages 100-103. You may visit Gu Xiong’s Smile installation held in Victoria, Canada by clicking here.